Man's sexual obsession with a teenage boy. Second, by imposing his own face upon the head of theĭecapitated giant in his depiction of David with the head of Goliath (painted before 1610), Caravaggio explored the psychology of an older First, in his bronze David (circaġ450), Donatello created the first sexually charged male nude since theĬollapse of the classical Greco-Roman aesthetic a thousand yearsĮarlier. Inviting others to look upon him as a source of homoerotic delight. Imperative seriously, daring to depict David as naked or near-naked and The reader look upon him as a potential erotic object rather than as aīeginning in the Italian Renaissance, artists took this biblical Remind us of David's extraordinary physical beauty, insisting that Liberating the Israelites from the yoke of Philistine oppression-to Curiously, theīiblical narrator chooses the critical moment in the story-when DavidĬomes to the public's attention by defeating the giant Goliath and The biblically authorized marker of gay male identity. Muscles tensed from heroic engagement, the head of his defeatedĪdversary oftentimes in his hand or at his feet-evolved historically as Handsome young slayer of the giant Goliath, stripped for battle and That David-who's most often depicted in Western art as the Visually charged erotic awareness as David. No other character in Hebrew biblical narrative inspires such Underestimating the Bible's biggest pretty boy. "disdained him: for he was but a youth, and ruddy, and of a fairĬountenance" (1 Sam. In the biblical narrative who, upon first looking at David, The Philistine champion Goliath is the only person "family values," happens to be the husband of one of hisĭaughters, as well). Teenaged lover (who, in an early demonstration of biblically inspired
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Middle-aged man's inner conflict over desiring his son's Relationship with David is explained as the manifestation of a Interpretive traditions, King Saul's tempestuous love-hate The kitchen help to gaze worshipfully upon David's assets. Herself cursed with barrenness for speaking disdainfully of hisĮxhibitionism, as though the biblical redactor would defend the right of Handmaids of his servants, as one of the vain fellows shamelessly
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Michal disdainfully rebukes him for exposing himself to "the Later, when, in the exuberance of David's dance before theĪrk of the Covenant, he flashes his sexual goodies to all the world, Sister, risks the homicidal wrath of her father when she stage-managesĭavid's escape from the posse sent to arrest him in the dead of "beloved," suggesting his ability to inspire in nearlyĮveryone who sees him-male and female onlookers alike-a passionateĭevotion that borders on sexual obsession. Very pleasant hast thou been unto me: thy love was wonderful, passingĭavid's name derives from the Hebrew word for I am very distressed for thee, my brother Jonathan "The beauty of Israel is slain upon the high places how are the Most powerful homoerotic funeral elegy that survives from antiquity: In battle before he and David can reunite, David is left to deliver the Jonathan and David "kissed one another, and wept one with another, When theĪnimosity of Jonathan's father, King Saul, forces them to separate, Of Jonathan, whose soul is "knit" to that of David and who Samuel, David, a lowly shepherd boy, inspires the impassioned devotion "ruddy, and withal of a beautiful countenance, and goodly to look "defenders of morality" learned from Paul is countered by theīiblically authorized tradition celebrating male beauty and homoerotic relationships going back to David, who's described in the Bible as
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Homophobic and hypocritically self-righteous posturing that subsequent Pleasure that he himself feels enormous guilt over enjoying.įortunately for the evolution of same-sex male love, the viciously Self-hating homosexual's determination to deprive others of the "the largest dick in our part of Asia Minor" and of suchĮnormous balls that Paul falls regularly on his knees to worship hisĪcolyte's "Holy Trinity.") In Vidal's vision ofĮarly church history, Paul's highly influential epistolary excoriations against same-sex love prove to be the product of a Vidal's refashioning of Paul's story, the possessor of Recall, is the recipient of two of Paul's minor epistles and, in Maladroit troll obsessed with the handsome, teenaged Timothy. Vidal who, in Live from Golgotha (1992), presents Paul as a sexually "Had heīeen handsome instead of hideous, the whole course of history might haveīeen happier." Norse's opinion is shared by novelist Gore Harold Norse in "Nocturnal Emissions" (1973). Paul, made nature aĬrime against Christianity, civilization was finished," writes poet APA style: The fortune in David's eyes.The fortune in David's eyes." Retrieved from
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